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The Official Publication of the American Choral Directors Association-Michigan

BELLA VOCE

Giving Voice to Michigan Choral Directors


BELLA VOCE INDEX
Articles published in Bella Voce, the official publication of the American Choral Directors Association-Michigan Chapter. Currently in progress, the index will cover two years of publication (1999-2001).

 


BACK TO THE BASICS
A SERIES OF ARTICLES ON ACHIEVING CHORAL EXCELLENCE

The following articles are the intellectual property of Howard Rizner and are subject to US copyright laws.

I. Voices from Our Past: CHORAL MUSIC.
This first in the series of articles was a reprint of an article that Howard had written in 1978 for the ACDA-Michigan newsletter. In the article, he dicusses the importance of teaching music reading through the eighth grade. Using Kodály techniques, Howard proposes a method of reading which coordinates with literature choice.

II. MUSIC READING
Teaching techniques for enhancing the music reading learning process, including appropriate music games, method books, and suggestions for a pedagogical approach

III. MUSIC READING (conclusion) AND TONE CONCEPT (beginnings)
Music reading teaching techniques, methodology, and content appropriate for sixth through eighth grade, including rote learning, tonal concept, teaching vowel sounds, and music drills

IV. THE HIGH SCHOOL LEVEL (conclusion)
The conclusion of articles on teaching music reading, which focuses on the High School level, including content, application, assessment, additional application and closing thoughts

V. A WELL-TONED CHORAL SOUND
Using vowel sounds in a sequential program to develop choral tone, including several suggested vocalises for tone development

VI. A WELL-TONED CHORAL SOUND: Blending and Balancing the Choral Tone
More advanced drills for further establishing a solid foundation for developing well-toned choral sound

VII. WORKING WITH THE CHORAL SCORE
Employing vocal skills discussed the the previous six articles to the choral score

VIII. CHORAL ANALYSIS
Suggestions for preparing the choral score prior to rehearsing with the chorus and rehearsal strategies

IX. SCORE ANALYSIS
Analysis of the choral score for conducting including such issues as tone quality, intonation, intepretation, balance, tempo, and how the conductor marks the score

X. THE REHEARSAL
A blue print for presenting the piece in its final form.

XI. IMPLEMENTING THE PLAN

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